
The LINE DC lobby with vaulted ceilings and geometric chandelier.
At The LINE DC, looking up is part of the experience. Above the lobby’s deep blue seating and dark wooden furnishings, vaulted ceilings rise around a striking geometric chandelier. Daylight filters through a great arched window, illuminating the curves of the mezzanine. It’s an impressive introduction to a hotel whose architecture gives you plenty of reasons to pause.
Set in Adams Morgan, The LINE occupies the former First Church of Christ, Scientist, a neoclassical building dating to 1912. The conversion retained the church’s architectural presence while giving its interiors a lively new purpose. The guest rooms occupy an addition behind the historic building, allowing the former sanctuary to remain the hotel’s defining public space. (washingtonpost.com, metropolismag.com)
The most memorable design decisions connect directly to that history. The chandelier is fashioned from the church’s original organ pipes, arranged into an angular sculpture that rewards a closer look. Original pews were repurposed as seating, while hymnal boards became directional signs. Developed with INC Architecture & Design, the transformation gives familiar materials fresh uses while preserving their connection to the building. (metropolismag.com)
What makes the lobby work is the relationship between its enormous scale and the smaller spaces within it. Curved sofas, low tables, warm lighting, and wooden partitions create comfortable pockets beneath that expansive ceiling. You can admire the architecture from across the room, then settle into a seat and enjoy the space at a more personal level. The navy upholstery and warm wood give it depth, and the brass details catch the light beautifully.

Guest room with brass bed, yellow throw and herringbone wood floor.
Upstairs, our room offered a quieter version of that same design sensibility. A brass bed frame anchored the space, with crisp white bedding and a mustard-yellow patterned throw adding a strong splash of color. Herringbone wood flooring, an area rug, and a substantial wooden writing desk gave the room a pleasantly residential feel.
The smaller details were especially appealing. Black pendant lights hung beside the bed on exposed cords, and framed photographs and artwork were arranged with an informal touch. Books on the desk and a compact radio beside the bed contributed to the sense of a room assembled with care. There was enough personality to make it memorable, with plenty of visual breathing room around the furnishings. The hotel’s broader collection includes work by local artists, a fitting choice for a property that places such emphasis on its neighborhood. (thelinehotel.com)

Brass bed frame, pendant lights and framed artwork.

The LINE DC wooden minibar stocked with drinks and snacks.
That setting also makes spending time downstairs an easy decision. No Goodbyes, the hotel’s restaurant and bar, benefits enormously from its surroundings. There’s something particularly enjoyable about sitting down to an uncomplicated meal in a room with this much architectural drama.
For us, the burger and fries were a highlight. The menu describes the burger simply: Angus beef, American cheese, lettuce, tomato, onion, and pickles on a brioche bun. It’s a combination that depends on getting the fundamentals right, and this was a thoroughly satisfying example. The beef and melted cheese provide the richness, the vegetables and pickles add freshness and bite, and the soft brioche brings everything together. It’s substantial, inviting, and easy to recommend.

No Goodbyes burger served on a pink plate.
The fries deserve equal attention. Finished with parmesan and chives and served with dijonnaise, they have enough character to hold their own alongside the burger. The parmesan adds a savory edge, while the mustard tang of the dipping sauce is a welcome accompaniment to the richness of the meal. It’s a pairing I would happily order again.
Adams Morgan suits the hotel’s personality, too. Restaurants, cafés, shops, and nightlife give the surrounding neighborhood an energy that carries naturally into the public spaces. The LINE makes a particularly appealing base for a visit that includes time simply enjoying the neighborhood and the hotel itself.
What stayed with me was the consistency of the experience: the architectural grandeur downstairs, the individual touches in the room, and the pleasure of a good meal in a beautiful setting. The LINE DC gives you a place worth spending time in throughout your stay. I’d return for another weekend—and make room for another burger and those parmesan fries.